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List: lilypond-user
Subject: Re: Questions about my piece
From: Rick Hogg <eulipion2 () yahoo ! com>
Date: 2006-05-31 22:48:02
Message-ID: 20060531224802.11288.qmail () web33207 ! mail ! mud ! yahoo ! com
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Okay,
I've attached my notes file and my score file. Typeset the score file to see what \
I'm talking about. You might need to adjust the paper size if you haven't made the \
modification for 9 inch by 12 inch paper.
Thanks!
Rick Hogg <eulipion2@yahoo.com> wrote: Mats,
I tried to attach the piece, but it was kicked back at me by the list. I can include \
my code, and I'd be more than happy to email anyone willing to help with the \
attachment. I'm just going to attach the bar before the cadenza and the cadenza. \
I'm sure it'll probably be in the wrong octave, but that's not important. What is \
important is the effects I'm trying to generate. Again, if you'd like to see it in \
PDF, email me and I'll send it to your personal email address because the list won't \
let me post it. Here goes:
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
melody = {gis8.( fis16 a8~ a16\< b c d ees f)\! |
\cadenzaOn fis4.~\(\f \fermata
\once \override TextScript #'extra-offset = #'( 0.0 . -1.5 )
fis32_\markup { \italic (très \italic rubato) }[\stemDown gis f ges d c aes \
a f ges d c aes-- a--]\) \textSpannerUp \override TextSpanner #'edge-text = \
#'("rit. " . "")
\stemUp f8--[\startTextSpan e-- ees-- d-- f--]\stopTextSpan \
\cadenzaOff \bar "|" }
upper = { s2. |
\cadenzaOn s4. s16 s16 s16 s32 s32 s4 s4 s8 \cadenzaOff \bar "|" }
lower =
{ \change Staff = lower \stemUp fis,!-.\< \change Staff = upper \stemDown <c'' dis \
fis b>-. \change Staff = lower \stemUp c,-. \change Staff = upper \stemDown \
<c' dis fis b>-. \change Staff = lower \stemUp a-. \change Staff = upper \stemDown <c \
dis fis b>-.\! \change Staff = lower \stemUp c-.\> \change Staff = upper \stemDown \
<ees fis a d!>-. \change Staff = lower \stemUp ees,-. \change Staff = upper \stemDown \
<ees' fis a d!>-. \change Staff = lower \stemUp aes,,-. \change Staff = upper \
\stemDown <ees'' fis a d!>-.\! | \cadenzaOn \change Staff = lower \stemNeutral << { \
s32 s s a,[ c dis gis s s s \change Staff = upper a(\laissezVibrer c(\laissezVibrer \
dis(\laissezVibrer gis](\laissezVibrer s4)))) s4 } \\ { d,,,32[ a' fis' s s s s \
d(\laissezVibrer a'(\laissezVibrer fis'](\laissezVibrer s s s s \clef treble d''8 \
r))) r4 } >> \change Staff = lower \clef bass \cadenzaOff \bar "|" }
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
Thanks in advance,
Rick
Mats Bengtsson <mats.bengtsson@ee.kth.se> wrote: Did you forget to attach the \
example?
/Mats
Rick Hogg wrote:
> Hello,
> I'm working on a piece, "Pulcinella" by Eugene Bozza, for any of you
> saxophonists out there, and I have an unmetered cadenza in the sax
> part that starts with a sustained dotted quarter note while the piano
> plays a run of 32nd notes that then continues in the saxophone line.
> I need to match this line up exactly, and I need to make the rest of
> the piano part line up with the rest of the sax cadenza. As I have it
> now, the piano part takes up the one measure it's supposed to, but now
> the sax part is stretched over three bars.
>
> I'm really hoping there's someone out there who has the score to look
> at to see what I'm talking about. Unfortunately I'm not able to
> attach a pdf to show you what it looks like.
>
> Also, how do I get laissez vibrer ties to stretch farther? I have a
> run, but I need each note to hold out longer than the next , all
> ending in the same place. Actually, in the score the ties don't even
> start until after the last note of the run, but you can tell they're
> meant to go with the previous notes.
>
> One more question: In measure 16 of the piano part there's an
> arpeggio. It's supposed to be an arpeggio bracket, but even after
> using \arpeggioBracket it doesn't draw one. How can I fix this?
>
> Thanks in advance for all the help,
> Rick
>
> ------------------------------------------------------------------------
> Yahoo! Messenger with Voice.
>
> PC-to-Phone calls for ridiculously low rates.
>
> ------------------------------------------------------------------------
>
> _______________________________________________
> lilypond-user mailing list
> lilypond-user@gnu.org
> http://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: mats.bengtsson@ee.kth.se
WWW: http://www.s3.kth.se/~mabe
=============================================
---------------------------------
Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. Great rates starting \
at 1 ¢/min._______________________________________________ lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
---------------------------------
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[Attachment #5 (text/html)]
Okay,<br>I've attached my notes file and my score file. Typeset the score file \
to see what I'm talking about. You might need to adjust the paper size if you \
haven't made the modification for 9 inch by 12 inch \
paper.<br><br>Thanks!<br><br><b><i>Rick Hogg <eulipion2@yahoo.com></i></b> \
wrote:<blockquote class="replbq" style="border-left: 2px solid rgb(16, 16, 255); \
margin-left: 5px; padding-left: 5px;"> Mats,<br>I tried to attach the piece, but it \
was kicked back at me by the list. I can include my code, and I'd be more than \
happy to email anyone willing to help with the attachment. I'm just going to \
attach the bar before the cadenza and the cadenza. I'm sure it'll probably be \
in the wrong octave, but that's not important. What is important is the effects \
I'm trying to generate. Again, if you'd like to see it in PDF, email me and \
I'll send it to your personal email address because the list won't let me post \
it. Here goes:<br><br>%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%<br>melody = {gis8.( \
fis16 a8~ a16\< b c d ees f)\! | <br> \cadenzaOn fis4.~\(\f \
\fermata <br> \once \override TextScript \
#'extra-offset = #'( 0.0 . -1.5 ) <br> \
fis32_\markup { \italic (très \italic rubato) }[\stemDown gis f ges d c aes a f ges \
d c aes-- a--]\) \textSpannerUp <br> \
\override TextSpanner #'edge-text = #'("rit. " . \
"")<br> \stemUp f8--[\startTextSpan e-- ees-- \
d-- f--]\stopTextSpan \cadenzaOff \bar "|" \
}<br><br>upper = { s2. |<br>\cadenzaOn s4. s16 s16 s16 s32 s32 s4 s4 s8 \cadenzaOff \
\bar "|" }<br><br>lower = <br>{ \change Staff = lower \stemUp fis,!-.\< \change \
Staff = upper \stemDown <c'' dis fis b>-. \change Staff = lower \stemUp c,-. \
\change Staff = upper \stemDown <c' dis fis \
b>-. \change Staff = lower \stemUp a-. \change Staff = upper \stemDown <c dis \
fis b>-.\! \change Staff = lower \stemUp c-.\> \change Staff = upper \stemDown \
<ees fis a d!>-. \change Staff = lower \stemUp ees,-. \change Staff = upper \
\stemDown <ees' fis a d!>-. \change Staff = lower \stemUp aes,,-. \change Staff \
= upper \stemDown <ees'' fis a d!>-.\! |<br> \cadenzaOn \
\change Staff = lower \stemNeutral << { s32 s s a,[ c dis gis s s s \change \
Staff = upper a(\laissezVibrer c(\laissezVibrer \
dis(\laissezVibrer gis](\laissezVibrer s4)))) s4 } \\ { d,,,32[ a' fis' s s s s \
d(\laissezVibrer a'(\laissezVibrer fis'](\laissezVibrer s s s s \clef treble d''8 \
r))) r4 } >> \change Staff = lower \clef bass \
\cadenzaOff \bar "|" }<br><br>%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%<br><br>Thanks in \
advance,<br>Rick<br><br><b><i>Mats Bengtsson \
<mats.bengtsson@ee.kth.se></i></b> wrote:<blockquote class="replbq" \
style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: \
5px;"> Did you forget to attach the example?<br><br> /Mats<br><br>Rick Hogg \
wrote:<br><br>> Hello,<br>> I'm working on a piece, "Pulcinella" by Eugene \
Bozza, for any of you <br>> saxophonists out there, and I have an unmetered \
cadenza in the sax <br>> part that starts with a sustained dotted quarter note \
while the piano <br>> plays a run of 32nd notes that then continues in the \
saxophone line. <br>> I need to match this line up exactly, and I need to make \
the rest of <br>> the piano part line up with the rest of the sax cadenza. As I \
have it <br>> now, the piano part takes up the one measure it's supposed to, but \
now <br>> the sax part is stretched over three bars.<br>><br>> I'm really \
hoping there's someone out there who has the score to look <br>> at to see what \
I'm talking about. Unfortunately I'm not able to <br>> attach a pdf to show you \
what it looks like.<br>><br>> Also, how do I get laissez vibrer ties to stretch \
farther? I have a <br>> run, but I need each note to hold out longer than the \
next , all <br>> ending in the same place. Actually, in the score the ties don't \
even <br>> start until after the last note of the run, but you can tell they're \
<br>> meant to go with the previous notes.<br>><br>> One more question: In \
measure 16 of the piano part there's an <br>> arpeggio. It's supposed to be an \
arpeggio bracket, but even after <br>> using \arpeggioBracket it doesn't draw one. \
How can I fix this?<br>><br>> Thanks in advance for all the help,<br>> \
Rick<br>><br>> \
------------------------------------------------------------------------<br>> \
Yahoo! Messenger with Voice. <br>> <http: \
//us.rd.yahoo.com/mail_us/taglines/postman3/*http://us.rd.yahoo.com/evt="39666/*http://messenger.yahoo.com"> \
<br>> PC-to-Phone calls for ridiculously low \
rates.<br>><br>>---------------------------------------------------------------- \
--------<br>><br>>_______________________________________________<br>>lilypond-user \
mailing list<br>>lilypond-user@gnu.org<br>>http://lists.gnu.org/mailman/listinfo/lilypond-user<br>> \
<br>><br><br><br>-- <br>=============================================<br> Mats \
Bengtsson<br> Signal Processing<br> Signals, Sensors and Systems<br> Royal Institute \
of Technology<br> SE-100 44 STOCKHOLM<br> Sweden<br> Phone: (+46) 8 790 8463 <br> \
Fax: (+46) 8 790 7260<br> Email: mats.bengtsson@ee.kth.se<br> WWW: \
http://www.s3.kth.se/~mabe<br>=============================================<br><br></http:></blockquote><br><div> \
</div><hr size="1">Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. <a \
href="http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com"> \
Great rates starting at 1 \
¢/min._______________________________________________<br>lilypond-user mailing \
list<br>lilypond-user@gnu.org<br>http://lists.gnu.org/mailman/listinfo/lilypond-user<br></a></blockquote><a \
href="http://us.rd.yahoo.com/mail_us/taglines/postman7/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com"><br></a><p>
<hr size=1><a href="http://us.rd.yahoo.com/mail_us/taglines/postman3/*http://us.rd.yahoo.com/evt=39666/*http://messenger.yahoo.com">Yahoo! \
Messenger with Voice.</a> PC-to-Phone calls for ridiculously low \
rates.
--0-570631462-1149115682=:98204--
["pulcinella.notes.ly" (application/octet-stream)]
["pulcinella.score.ly" (application/octet-stream)]
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