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List:       lilypond-user
Subject:    Re: Mixed questions
From:       "Stephen" <stecmccarthy () hotpop ! com>
Date:       2006-05-31 23:00:11
Message-ID: 00e901c68505$faef1120$078cbc04 () VAIO
[Download RAW message or body]

One solution (or perhaps the solution) is to use two scores, but I do not know how to \
ensure equal spacing between all staves then.

Stephen
  ----- Original Message ----- 
  From: Matthijs Frankena 
  To: lilypond-user@gnu.org 
  Sent: Saturday, May 27, 2006 9:30 AM
  Subject: Re: Mixed questions


  At 19:00 26-5-2006, Stephen wrote:

    The double bar-line followed by a repeat bar-line is significant for many. Every \
32-bar song form of the Twentieth Century needs a double bar-line after the 4-bar \
intro and/or a double bar-line after the 16-bar verse, followed by a 32-bar chorus \
with repeats and an alternative. The slur on the repeat alternative is similiarly \
required for every poplular song. Someone must have solved this already. I have to \
say that this new example is nicely simplified.  
    Stephen

  Well, yes, take any Nat King Cole/Cole Porter/Frank Sinatra/Gershwin etc. songbook, \
and you'll find abundant examples of that principle. As these songs are not yet to be \
found at Mutopia (for obvious reasons), there is a dearth of Lilypond-coded examples. \
I will be very grateful for any pointers.

  Matthijs 


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<DIV><FONT face=Arial size=2>One solution (or perhaps the solution) is to use 
two scores, but I do not know how to ensure equal spacing between all staves 
then.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Stephen</FONT></DIV>
<BLOCKQUOTE 
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 \
2px solid; MARGIN-RIGHT: 0px">  <DIV style="FONT: 10pt arial">----- Original Message \
----- </DIV>  <DIV 
  style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
  <A title=lilypond@magnolia.demon.nl 
  href="mailto:lilypond@magnolia.demon.nl">Matthijs Frankena</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>To:</B> <A title=lilypond-user@gnu.org 
  href="mailto:lilypond-user@gnu.org">lilypond-user@gnu.org</A> </DIV>
  <DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, May 27, 2006 9:30 
AM</DIV>
  <DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Mixed questions</DIV>
  <DIV><BR></DIV><FONT size=3>At 19:00 26-5-2006, Stephen wrote:<BR></FONT>
  <BLOCKQUOTE class=cite cite="" type="cite"><FONT size=2>The double bar-line 
    followed by a repeat bar-line is significant for many. Every 32-bar song 
    form of the Twentieth Century needs a double bar-line after the 4-bar intro 
    and/or a double bar-line after the 16-bar verse, followed by a 32-bar chorus 
    with repeats and an alternative. The slur on the repeat alternative is 
    similiarly required for every poplular song. Someone must have solved this 
    already. I have to say that this new example is nicely 
    simplified.<BR></FONT><FONT size=3>&nbsp;<BR></FONT><FONT 
    size=2>Stephen</FONT></BLOCKQUOTE><FONT size=3><BR>Well, yes, take any Nat 
  King Cole/Cole Porter/Frank Sinatra/Gershwin etc. songbook, and you'll find 
  abundant examples of that principle. As these songs are not yet to be found at 
  Mutopia (for obvious reasons), there is a dearth of Lilypond-coded examples. I 
  will be very grateful for any pointers.<BR><BR>Matthijs</FONT> 
  <P>
  <HR>

  <P></P>_______________________________________________<BR>lilypond-user 
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