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List: lilypond-user
Subject: Re: \repeat with upbeat (partial) and alternatives
From: Reinhold Kainhofer <reinhold () kainhofer ! com>
Date: 2008-06-28 22:12:17
Message-ID: 200806290012.17713.reinhold () kainhofer ! com
[Download RAW message or body]
Am Samstag, 28. Juni 2008 schrieb Patrick Horgan:
> Mats Bengtsson wrote:
> In my experience, it's fairly uncommon in printed music to have this kind
> of different durations in the two alternatives, so I don't think that it's
> common enough to deserve a specific example in the manual. You may want to
> submit it to the LSR, though.
>
> It's not that uncommon. I've seen it in choral music fairly regularly
> through the years.
All the choral scores that I have seen put the pickup note before the |: and
use whole measures for the voltas (like in the attached example).
> What else are you going to do if there's a pickup note
> and the 2nd ending goes on? You can write the second ending as an end
> followed by a partial pickup, but this solution seems more elegant, and why
> reading voice would certainly be simpler to read. Choirs are filled with
> folks whose reading skills are minimal to nonexistant.
Exactly, that's why voltas typically span whole measures...
Cheers,
Reinhold
--
------------------------------------------------------------------
Reinhold Kainhofer, Vienna University of Technology, Austria
email: reinhold@kainhofer.com, http://reinhold.kainhofer.com/
* Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/
* K Desktop Environment, http://www.kde.org, KOrganizer maintainer
* Chorvereinigung "Jung-Wien", http://www.jung-wien.at/
["pickup-volta-choral.ly" (text/x-lilypond)]
\version "2.11.50"
\score {
\context Staff <<
\context Voice = "Soprano" \relative c'' {
\partial 8 c8 |
\repeat volta 2 { c4 c c c }
\alternative { {c4 c r4 r8 c8 } {c4 c r2 }}
c1
% etc.
}
>>
}
["pickup-volta-choral.pdf" (application/pdf)]
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