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List:       lilypond-user
Subject:    Chord inversions---I'm confused! (version 1.4.6)
From:       Alan Robert Clark <clark () YingTongDiddleiPo ! ee ! wits ! ac ! za>
Date:       2003-12-30 15:14:21
Message-ID: Pine.LNX.4.33.0312301708210.31298-100000 () YingTongDiddleiPo ! ee ! wits ! ac ! za
[Download RAW message or body]

Hi All

I am typesetting a bunch of chord inversion exercises, and getting wierd
results. The simplest test case is supplied below. 

(We're just looking at Triads here, looking at g ( < g b d > ) g/d works
fine = < d g b >, but g/b does not.)

Additional Q: why do my chordnames come out at the bottom, even though I
specifgy them first in the \simulataneous block?

Many Thanks, and all the best for 2004!!!

Alan

-- 
Alan Robert Clark, Pr Eng     Computational Electromagnetics
Associate Professor                 Wits University
School of Electrical and Information Engineering
Wits; Gauteng              ``Bugs are later known as features''
2050 South Africa                 Ps 111:10; Ps 37/150
Fax (+27 11)403-1929       clark@YingTongDiddleIPo.ee.wits.ac.za(Pref)
Tel (+27 11)717-7223(24hr)  <http://YingTongDiddleiPo.ee.wits.ac.za/>
     **Linux 2.4pl7(RH7.2)---the choice of a GNU generation.**

     
\include "a4.ly"
\include "paper26.ly"
\include "english.ly"

\header {
  title = "Chord Inversion Exercises"
  tagline = "Typeset by Alan Robert Clark (a.clark@ee.wits.ac.za)  using GNU LilyPond \LilyPondVersion." 
}

accompaniment = \chords {
  g4 g/b  g/d  
}

\score {
  {
    \context PianoStaff
      \time 4/4 
      \simultaneous{
	\context ChordNames {
	  \property ChordNames.ChordName \override #'style = #'jazz
	    \accompaniment
	}
	\context Staff = "up" {
	  \notes \transpose c'' {\key g \major \accompaniment}
	}
	\context Staff = "down"{
	  \clef bass
	  \notes {\key g \major \accompaniment}
        }
      }
  }
  \paper { \translator { \EasyNotation } }
}





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